Casino Limousinen Service - Limousine mieten

The Casino Limousine Service is awesome for fast travelling, but I could never remember where all the teleport locations were. Today I made this map showing them all and thought you guys might also find it useful.

The Casino Limousine Service is awesome for fast travelling, but I could never remember where all the teleport locations were. Today I made this map showing them all and thought you guys might also find it useful. submitted by cyatt to gtaonline [link] [comments]

The Casino Limousine Service is awesome for fast travelling, but I could never remember where all the teleport locations were. Today I made this map showing them all and thought you guys might also find it useful.

The Casino Limousine Service is awesome for fast travelling, but I could never remember where all the teleport locations were. Today I made this map showing them all and thought you guys might also find it useful. submitted by Jay-2550 to u/Jay-2550 [link] [comments]

Casino limousine races

Has anybody tried to get multiple limousines 1 per player at the same random point and see who’s can get back to the casino first if at all it’s hilarious watching them drive back especially through the mountains sometimes like crash after 10 seconds
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Casino limousine driver just runs away

Casino limousine driver just runs away submitted by -Kepler- to gtaonline [link] [comments]

Casino Limousine

In the Limousine that you can call from Ms. Baker, you should inside (first person mode) should have an option to search the web, drink some champagne or whiskey, and or smoke inside, like the Helicopters that come with the Yachts....
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Casino Limousine Service | DFW Limo for You

If you are looking to hire Casino Limousine Service then DFW Limo For You is best for you in this regards. DFW Limo for You have licensed and professional chauffeurs to take you towards your destination on time. DFW Limo for You provides affordable Casino Limousine Service. You can book your ride online and you can also call them at (682) 704-7222.
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Casino Limousine Service

Casino Limousine Service

A visit to a gambling club can possibly be energizing and sumptuous. By calling to book a gambling club limousine administration, you don't need to do any of the driving. Rather, a driver will take into account your each need. Taking a limo to the gambling club offers a wide exhibit of advantages. Regardless of whether you're going for a night out on the town, a single guy or lone rangers party, or some other reason, you would prefer not to do the driving. Rather, you need to let an expert to that, so you can concentrate on having a ton of fun.
At limotologanairport, we pride ourselves on being the best. One of our drivers will lift you up and take you to the club. This enables you to appreciate an extravagant ride from entryway to entryway. It's straightforward and is intended to make your life simpler. Our Boston Casino Limousine is altogether cleaned after each customer. It's what enables us to be so positive about giving tip top transportation to our clients all through Riverside.
Our expert escorts at Boston Airport Limo Service anticipate driving you to the gambling club. This enables you to sit in one of our perfect vehicles while we drive you to and from the gambling club. With our enormous armada, we have the ideal limo for the quantity of individuals will's identity going with you. We offer a protected and lavish ride that is aggressively valued. Find out more and book your Riverside limo rental by calling us today. For more information please visit our site
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Detroit Michigan Casino Limousine Transportation Service

Detroit Airport Limos (DAL) provides exclusive luxury limo service to Motorcity casino and MGM Grand Casino in Detroit, as well as other popular casinos, restaurants and pubs in the DTW area of Michigan.
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Solomon's Missing Movie Props Locations/Guide (with screenshots)

Solomon's Missing Movie Props Locations/Guide (with screenshots)
Objective : Return to Solomon's office 10 missing Movie Props
Locations :
Back and forth to Solomon's office for each prop isn't necessary.
  1. Solomon's office (directly on the left when exiting his office)
  1. Right Casino's Restrooms
  1. Strip-tease club's management office
  1. Grand Senora Desert house
  1. Hippy Camp
  1. Altruist Camp
  1. Fort Zancudo Control Tower (Ground floor)
Movie Prop stands where I'm aiming at

3 other Movie Props embarked in vehicles that may spawn randomly around the following locations. A blue dot will appear on your map when approaching/roaming in the area.

  • Lester's Garmen Factory
  • Textile City's market street
  • Epsilon's building
  • Kortz Center
  • Paleto Bay
Tip : Feel free to use the Casino's limousine service to travel to Paleto Bay instantly
Rewards :
- 10,000 GTA$ for each returned prop/vehicle + 50,000 GTA$ bonus for returning all 10 Movie Props
- The Space Invider outfit
Thanks to all who shared the locations and help in this guide.
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Boston Night Out Limousine

Boston Night Out Limousine

If one wishes to have the services of a limousine on their special night, they can book reservations on the internet, on catalogues of bachelorette party limousine companies or they can go physically to the premises of the party limos company to enquire - Boston Night Out Limousine.
Nothing can reject the fact that one of the most bothersome activities of an air travel is the transportation to and from the airport. One of the best methods of limiting your list of choices for rental services is by asking your family, relatives, co-workers and friends, if they got any idea of a limousine service that they have dealt with before and are comfortable recommending to you.
With limousines being so spacious and luxurious, a group of 8 or 10 friends can easily enjoy a care-free night out on the town in style. Some firms would charge pricing by the hours, or probably by the size as well as the type of the limousine vehicle. So, you have to go through all the models in order to find the right limousine. You will find very few companies in other states which are not only ready to rent you the limousine but at the same time help you plan for the event - Boston Casino Limousine. For more information, please visit our website
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Boston Limousine Service

Boston Limousine Service

Most of the persons use different vehicles for moving from one place to other place across the world. You can search it by providing brand model and year of the car, there are many sites that usually provide some review about classic cars and you may be surprised if you search that your old car is included to the rare ones that do have a high selling value - Boston Casino Limousine.
If you decide to go with the classic limo, or even a luxury rental, you should ask some questions: what types of vehicles the company offers, which car will you get on your wedding day, what color, what is the year and model of the car, additional fees, what if you need it longer than expected, etc.
We are there for you, and will be fulfilling all your dreams and need when it comes to our Limo service and will make sure that everything goes according to your wish and you call us again and again, by getting impressed by our services.
It was designed so as to make the person seated in it feels special, and the unique part was that it had a special compartment for the driver driving the car to differentiate him from the persons who are a part of luxury car also the Limos coach can be in this category - Boston Prom Limo Service.
Rental needs will be based on what is available for commuting and what the distances between you accommodations are; is there shuttle services available and etc.. If this service isn't available, booking travel arrangement is a good place to start your reservations. For more information, please visit our website
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The Benefits of Limousine Services

The Benefits of Limousine Services

On the off chance that you have to travel much of the time for business reason, you might be surely mindful of the significance of procuring the correct air terminal exchanges. A Boston Casino Limousine implies you get an expert, well-prepared and experienced driver at your administration. At the point when you are going for business, you need to consider the gathering ahead, focuses to talk about, introductions and every single related thing. In that condition, you ought to never stress over whatever else. A limo administration offers you simply the ideal true serenity on account of the security it offers. Limousines are commonly completely safeguarded and are constantly protected to travel.
At the point when you procure a taxi, you don't know about whether the driver has a place with a similar city and whether he has begun driving just as of late. In the event that the driver isn't neighborhood, a few unforeseeable issues can happen for which the driver has no arrangement. Likewise a driver not having a place with the city may not be all around familiar with the territory. He may not know the protected, proficient and short courses to rapidly take you to your goal. Getting off track in an obscure town on account of a driver new to the region will be the exact opposite thing you will need to transpire.
You can have an affirmation of a fixed rate from a trustworthy Boston Airport Limo Service. Taxi organizations like Uber can utilize evaluating strategies that outcome in charging you twofold their typical rates. At the point when you procure a limo administration for your business voyaging, such things will never transpire. In view of no shrouded costs, you get an extraordinary significant serenity. For more information please visit our site
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Hiring Limousine Service

Hiring Limousine Service

Won't you need a warm welcome after a long flight? What's more, it is offered by the driver of an expert Boston Airport Limo Service as he will meet and welcome you at the air terminal and take you to his lavish vehicle for an agreeable travel ahead. Showing up later than expected at the air terminal and failing to catch the plane can be a bad dream for any voyager. However, when you utilize an expert limo move to air terminal, you make certain to land on schedule. This will likewise remove all your worry from potentially being late. Proficient air terminal limo benefits frequently track your flights if there are any postponements and change the timings of get and drop-off as needs be. This also is an incredible help to you.
Street developments, traffic postponements and convenient temporary routes are huge stressors that ought to be maintained a strategic distance from. An expert limo administration has a devoted staff that continues following examples of traffic to choose the most proficient course to be taken to take you to your goal rapidly and productively.
The unwinding you will get in a lavish vehicle like a limo will absolutely reenergize you. In the event that you need to go to an occasion or a conference, you will surely need to look loose and new. The inside of a Boston Casino Limousine is continually unwinding and sumptuous. You can loosen up serenely in the plentiful space gave by the vehicle during your whole outing so as get spruced up for the gathering or occasion ahead. For more information please visit our site
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Hey guys I’m looking for a bodyguard and a limousine/jet driver for me. I have the jet(Nimbus) and the car(cognoscenti long Version armored). If by any point you are interested in a 30% cut the casino heist be my bodyguard.

submitted by IVAN_ZELL to gtaonline [link] [comments]

Wombats and limousines: Crown casino partner's shooting range

Wombats and limousines: Crown casino partner's shooting range submitted by chicken-choker69 to melbourne [link] [comments]

Everyone is talking about the car they'll be pulling up in. I'll be offering limousine rides to the casino all day!

Everyone is talking about the car they'll be pulling up in. I'll be offering limousine rides to the casino all day! submitted by ZZZoinked_ to gtaonline [link] [comments]

Binions casino original Cadillac Limousine . Old Vegas !

Binions casino original Cadillac Limousine . Old Vegas ! submitted by godouglasgo2222 to classiccars [link] [comments]

The Diamond casino & resort Limousine service

I wonder if the limousine service will work like taxi that you can call your driver and he/she will pick you up and get you where you want or is it just that you can only go from casino to somewhere.
submitted by Rottie_ to gtaonline [link] [comments]

The limousine will most likely be like the Terrorbyte of the Casino

Not a Renowned Rockstar Insider, but it seems kinda obvious that the Limo will be to the Casino what the Terrorbyte, Speedo, Mule and Pounder were to the Nightclub. It looks a lot like the previous formula: take a Pegasus vehicle, put it in a special garage and let people customize it. Since those vehicles have been weaponized, it makes sense that the limo will probably be weaponizable too. So, basically, we're getting a customizable weaponized taxi with an npc driver. There's also talk of the "Casino Phone". That phone is probably only available from the limousine or the office in the Casino, so it'll be like the grinding vehicle for the casino grind. Just a guess.
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Album Of The Year #15: Joji - Nectar

Artist: Joji
Album: Nectar
Label: 88Rising
Release Date: September 25, 2020
Apple Music
YouTube Music
Not many artists have had a come-up as interesting and eccentric as George Kusunoki Miller, a former YouTube comedian/edgelord turned moody R&B singer. George first got his taste of internet fame as FilthyFrank, a character he described as everything a person should not be, he played the notorious persona on YouTube for over 6 years and eventually had to retire it due to him losing passion for it and suffering from stress induced seizures, which playing the character often caused.
Throughout his time as FilthyFrank however he began experimenting with music, mostly of the satirical kind at the start, his first tracks were under the FilthyFrank persona, the first one being Who's The Sucker, a dumb track where he somehow manages to rhyme "nicer" with "vagina", go figure.
A few years later, alongside the satirical rap, Joji began to make what he would consider as serious music, and this is where the timeline gets a bit messy, as he put out multiple tracks under multiple different aliases and the lines got blurred pretty fast, so I won't focus on aliases too much, but rather on the music he put out, around this era he released the therapeutical Medicine, the slow and melancholy We Fall Again, and Dumplings, which was Joji's best attempt at a trap banger.
In 2015, he birthed the Joji alias, released two singles on Soundcloud under that name, and announced a project called Chloe Burbank Vol. 1, the project was later scrapped and is probably sitting on Joji's hard drive, unfinished, however, the two singles he put out, thom and you suck charlie, were the tracks that put him in the spotlight, not to mention that to this day, there are some of his fans that believe these 2 tracks are his best and will not be topped, but that's a discussion for another day.
Following the overwhelmingly positive reception, Joji began to put out more tracks and singles, both under the aforementioned alias and Pink Guy, which was a character that blossomed into a satirical rap project, but I won't be covering that too much, and will focus on what he did as Joji instead, most tracks Joji put out were met with positive reception, some of the tracks, such as worldstar money, ended up on his debut EP as well.
Sometime around early 2016, Joji ended up signing with 88rising, a label focused on building the bridge between east and west, he explained in an interview that he was initially a consultant for the duo behind the record label, however, once the duo noticed his music and how well it was received, they asked him to jump on board and he instantly took the chance, getting signed alongside the likes of Rich Brian and Higher Brothers.
The label immediately undertook Joji and began distributing his catalog on their YouTube channel and helped him release more music, which was a couple of singles in the earlier half of 2017, and his debut EP in the latter half, the EP, known as "In Tongues", was met with mixed reception from fans and critics alike, with some describing it as his most concise body of work so far that is oozing potential, and others describing it as a bleak project that fails to set Joji apart from the sea of artists on the same wavelength as himself.
Following the release of the EP, Joji began working on his debut album, known as BALLADS 1, the album's first single, YEAH RIGHT, was released on the 8th of May, the track was first believed to be a standalone loosie as it was released 5 months before the album itself, however it ended up being on the album and was confirmed as the one of the singles alongside SLOW DANCING IN THE DARK, CAN'T GET OVER YOU, which features a production credit from non other than Clams Casino, and TEST DRIVE.
The album was well received, and was praised for containing a wider variety of sounds than its predecessor, it felt like a natural progression for Joji's sound and was a step forward towards a more mainstream approach whilst not sacrificing any of the rawness that Joji's older stuff had, which seemed to be what most fans were expecting from him.
Moving forward Joji stayed mostly silent throughout 2019, appearing on the second 88Rising collaboration album, which was negatively received due to it's lack of creativity and sub-par performances from most label signees, he also appeared on Rich Brian's sophomore album, The Sailor, and released which is now known to be as the first single from Nectar, Sanctuary, a synth based poppy track that previewed a vocally improved and more confident version of Joji.
What was assumed to be a loosie turned out to be the beginning of an album rollout, as half a year later Joji released Run, setting a new standard for himself both instrumentally and vocally, and a couple of months later he released Gimme Love, a double sided track with a fun, catchy beginning and a melancholy ballad driven ending, the last single, Daylight, was released on the 8th of August, the instrumental was produced by Diplo and the track itself sounded like Joji's attempt to break into the mainstream.
Without warning, he also released two tracks that he classified as "NOT SONG", the first being Pretty Boy, which actually ended up on the album with a Lil Yachty feature, and the second being FTC, which sadly did not end up on the album, both tracks had videos and it seemed to me at first that the purpose of both tracks was to serve the lore that Joji has built around the album, which I will be touching up on in this write-up.
A day before the album's release, he put out Gimme Cum, an enigmatic track with a mysterious message.
Nectar itself was pushed back from it's original July release date due to the pandemic and Black Lives Matter protests, the album however was released on the 25th of September.
Album Lore
If there's one thing George is no stranger to, it would definitely be worldbuilding, as he has proven time and time again that he has a knack for it, especially with his FilthyFrank YouTube channel, where he managed to create characters, locations, and an entire universe out of a few satirical characters, his lore was adored by many and even though visually he never wrapped up the story he did release a book that served as closure for the FilthyFrank lore.
This album's lore is not as straight forward however, and there are multiple theories doing the rounds on the internet, personally I will go by what sounded most convincing to me in terms of timeline and storyline, however do feel free to expand on what I've said or correct me, George has left multiple things left open to interpretation therefore I would not be surprised if there were multiple different meanings to the same thing.
Our story begins in the music video for Gimme Love, where we see a young Joji who appears to be a small time engineer that is eager to climb through the ranks of the company he is working for, as he rises however he appears to become more stressed out and agitated at all times, lashing out at his coworkers and breaking down consistently, throughout the music video we can see that the more he progresses, the more roadblocks he runs into, which causes his behavior to become more psychotic and manic, as the shots move forward we see him accept awards, lead his very own research team, run failed experiments on his coworkers that causes them to bleed, and eventually receive military covert status, which did not come without sacrifices, as we see him smile less and less throughout the video.
In the second half of the video, we see Joji steal the rocket he helped build by locking out his crew members, and launch himself into space, disappointing everyone he worked with and stabbing them in the back he appears to be quite happy however, eventually his mood flips as he is faced with two choices, engage or eject, the following shot does not allow us to see which one he picked as we are facing his back, all we see is Joji making the choice and gearing up for what's to come.
The lines get blurred around this spot and many people have different theories as to which video is the right one chronologically, personally I believe Daylight comes next, and my theory is Joji is having some sort of fever dream featuring his previous coworkers, most notably the older people who went through layers of plastic surgery, who appear in the music video for FTC, where they are seen wearing badges that features the same organization Joji worked for, throughout the video they are seen rummaging through the wreckage caused by Joji, clearly looking for something specific, which ends up being the award Joji won.
Back to Daylight, Joji appears to be some sort of intern working for the director and the actors, towards the end of the music video we can see Joji waking up from the aforementioned fever dream, clearly in a daze, as the shot widens we see that he is alone, in a barren wasteland, with nothing around him except for a tent and what appears to be a device used for communication, he plants a few seeds in the soil and sits by the device, hoping for a sign of life.
Next comes Run, where we are once again met with Joji having a nightmare, the entire video symbolizes being trapped in a place you don't want to be in, as Joji appears to be in a never ending limousine with people he has no interest in whatsoever, towards the end of the nightmare we actually see Joji running across a massive wasteland, the same wasteland we saw him in at the end of the Daylight music video, throughout the video, we see Joji become consumed by the soil itself, which I would assume is a representation of his fears back then, seeing as he was alone and had little to no hope of being saved whatsoever.
Joji wakes up from this nightmare and appears to be in some kind of spaceship, if the videos were released chronologically, we would be completely lost at this point, lucky for us, we already know what the spaceship is, as we see a picture of the Sanctuary crew in the final shots of the Run music video, I'm gonna go out on a limb here and say that the crew is the ones that saved him from death and picked him up from the mess that he placed himself in, hence the name Sanctuary, which means refuge or safety from pursuit, persecution, or other danger
The crew itself is seen in action in the music video for Sanctuary, where Joji appears to be fighting and defeating some sort of one-eyed alien supervillain at the start, however, once he is defeated, both Joji and the crew themselves become aimless, as they are living monotonously without a goal, thankfully(???), one of the crew members sees this and decides to take matters into his own hands, by surgically removing his own eye, which portrays his transformation into the new supervillain, and following this up by killing a crewmember and escaping on his own, once again giving the spaceship it's own purpose.
Unfortunately the music videos that were put out after the release of the album appear to be too subtle for me to think they are connected in any way, shape or form, there are many theories of course but I can't help but feel like that most of them are a reach.
The most plausible explanation for this lore that I can think of is that the whole escaping from earth on his own, landing in a barren wasteland, trying to plant seeds in it, and eventually being picked up by a group(88Rising, wink wink) is a metaphor for his transition from FilthyFrank to Joji, the barren wasteland stands for how hopeless he felt at the time and the seeds symbolize the loosies he was slowly dropping before ditching his channel to become an R&B superstar, which if true, solidifies the idea that George was done with FilthyFrank long before he actually left the channel itself.
Regardless, I thought the lore was very enjoyable and it was nice to see Joji back in one of his elements at least, most fans would have been disappointed in me if I had not touched up on it a bit seeing as it was a huge part of the albums release and they are intertwined in some sort of way.
When it's lovely I believe in anything What does love mean When the end is rolling in
  • Ew
It is important for me to preface this review with the fact that this Joji album is not like anything we've ever heard from him before, this is not the one man army, garageband using, sample meshing Joji that we knew in the past, this is Joji with an entire team behind his artistic vision, a whole group of people working with him to help him push his sound to the next level, and unfortunately, while the quality of the music has clearly went up, when so many people have their own input on something eventually the lines get blurred and the album loses its artistic direction and cohesion, which is one of my only complaints with this album, and I'm glad I got it out of the way first.
Artistic direction and cohesion aside, this album contains some of Joji's highest highs to date, especially the singles, that's not to say that there aren't some deep cuts on here that shine as well, but once you listen to the album in it's entirety you quickly understand why the singles were chosen as singles, especially when you consider how sonically different they are from the non-singles.
Sanctuary, the album's first single, is a sweet, poppy and synthy track that features a high pitched and melodic Joji, some of the track's lyrics are somewhat abstract but they are quite visually descriptive and that's always a plus in my book, the instrumental itself is quite spacey and has a nice retro vibe to it, already a huge step forward from what we've already heard from George, the track's climax reaches towards the end and gives us a beautiful bridge,with Joji crooning about wanting to be held by a significant other.
I fell for your magic, I tasted your skin And though this is tragic, at least I found the end I witnessed your madness, you shed light on my sins And if we share in this sadness, then where have you been?
  • Run
Run is one of the more cinematic cuts on this album, the track is truly a double edged sword because although it's one of Joji's best, it has set an extremely high standard for both Joji and the album, leaving fans such as myself worried about whether or not he will ever reach a similar high, the production is clean, Joji's vocal lines are as dynamic as ever, the guitar melody is infectious, the lyrics are better than anything Joji has ever written and he is putting his heart and soul into every word, the electric guitar solo at the end is also something worth mentioning, which sits perfectly right in front of Joji's distant and wide vocals, ending the track on a strong note.
Look into your heart and let me know Do things turn black and gray as they go? When I'm far too gone, can you show me love? Give me love
  • Gimme Love
The lyrics above come from the album's third single, a 2 sided track that starts as a bouncy, percussive, fast paced, and catchy song, with Joji chanting and pleading to be given love, softly singing about being surrounded by apathetic people, after the second chorus the entire song comes to a halt in order to make room for a mellow guitar and Joji's harmonies, which are absolutely stunning if I may add, the track, much like many other tracks on here, ends on a cinematic strong note with a string section and a grandiose piano.
The final single, Daylight, is no doubt unexplored territory for Joji, the instrumental, which was produced by Diplo, starts off slow and minimalistic, with a simple yet groovy bassline, and reaches its apex on the chorus, when it suddenly becomes extremely lush, heavy, and thick, the track is most definitely a solid attempt at modern day and mainstream pop music, clearly made with the intention of receiving radio play.
All of the singles show up in the first leg of the album, which is absolutely phenomenal, the opener track, Ew, starts off light and easy, with a somber and distant arpeggiated piano backed with Joji's soft vocals, who's singing about heartbreak and the loss of many relationships, sounding as bitter as ever lyrically, the chorus includes a grand string section and a chord progression that is fully panned to the right and sitting all the way behind the mix, and surprise surprise, the track itself ends on a cinematic strong note, much like many of the other tracks on here.
I've got no aim, a million rounds, is nothing real? A hundred pounds of heavy steel, it feels so loud Tied to my chest, it feels so loud I'll take a peek to across the peaks This grass is neat and I'm quite unique But I'd like to be, but I'd like to be
Up next comes MODUS, a moody track that has an intro similar to the opener track but later on has Joji melodic rapping to a murky trap instrumental, with Joji of course sounding better than ever, lyrically speaking, many of the themes on this album are similar, Joji is mostly singing about relationships, heartbreak, and the need for a significant other, the lyrics themselves give the album a nocturnal, bitter, hopeless vibe, which is what we've come to expect from Joji's music nowadays.
The third track, Tick Tock, is a plucky banger of an instrumental that has Joji rapping over it with pitched up vocals on the chorus which is something that's a little bit reminiscent of his older, more amateur work, the vocal layering on the verse is also something worth mentioning, really showcases Joji's dynamic range and how much he improved as a whole, the track is nothing groundbreaking in terms of what we've heard so far and remains lowkey for the most part but is without a doubt one of my favorites on this project.
On Nectar, one of the yet-to-be-announced tracks was produced when the artist was only sixteen years old. “I’m excited to see if it sticks out or not to the listeners.” he reveals.
  • Joji Interview with Schön! Magazine.
While not officially announced by Joji himself, it is safe to say that Upgrade is the aforementioned track, a small interlude that seats itself in the earlier part of the album, the track starts with a grandiose piano, which is quite unnecessary if you ask me, because once we have it out of the way all we get is a very obviously barebones instrumental made from a different time, the telltale sign being non other than the ukulele that we have seen in George's earlier work.
It upsets me that Joji has not made this fact much more known because this track has been consistently the subject of criticism by critics and fans alike, but at the same time I understand, because at the end of the day George left that track in there for the die hard fans, not the critics.
Up until this point there is no doubt that Joji has played it safe, sure the album is much more grand and cinematic than its predecessor, but there's no denying that the signature sound is still there, we still get the hazy and moody slow bangers, if Nectar was only the first half then Joji might have had a strong album in his catalog, maybe even a classic, but I understand him wanting to expand and experiment with other sounds in order to grow as an artist.
The midsection gets a little bit tricky, as Joji begins to get out of his comfort zone and the album features start appearing, to me it sounds like Joji did not know how he could keep the listener interested in the second half of this album and decided to opt in for a bunch of features as a quick fix, some work out fine, some better than others.
Handsome young man, never pull up on time Lookin' in the mirror, lookin' good should be a crime, crime All this pain I'll never let show (No) My real thoughts, you'll never know (No)
  • Lil Yachty on Pretty Boy
I never really listened to Lil Yachty that much aside from the obvious hits he had over the course of his career, but he clearly shined on this track as the feature, for starters, the track is very light-hearted, definitely one of the more lofi tracks on this album, the highlight for me without a doubt is the bridge, which sounds like something straight out of Pink Season, George was clearly having genuine fun with it, some even speculate that most of the bridge was made using samples from his earlier work as Pink Guy.
High Hopes, which features Omar Apollo, is one of the more lowkey cuts in here as well, the percussion on the instrumental and the detuned guitar on here remind me of some of Joji's stuff from BALLADS 1, unfortunately however the track doesn't stand out much, at least not as much as Afterthought with BENEE, another track where Joji's melodies and vocals shine through once again, and BENEE's feature definitely adds some character to the track, at least enough to the point where the feature made some sense
On Normal People, Joji recruits childhood friend rei brown, in an attempt to capture lightning again after their first collaboration, Once In A While. Unfortunately lightning didn't strike twice here for me and the track felt quite lackluster and uninteresting, especially for such an anticipated track and when compared to their first song, many of the tracks and collaborations on the second part of the album really felt like Joji just trying to recapture the magic of his earlier work, and while some of those attempts did work at the end of the day it does feel like a cheap cop out.
Oh, understand, girl, I'm out of sight To the other side, I don't want no stripes Got my insides loud like motorcycles Girl, don't notice it, I don't notice it
Another example of Joji attempting to recapture magic is NITROUS, which marks Joji's second time collaborating with Clams Casino, the track is very reminiscent of their first track together, both Joji and Clams Casino however killed it, the track's instrumental is very murky and nocturnal, much alike most of the album, but that doesn't stop Joji's delivery, which is very fun-loving and upbeat.
By the way you move, I know you want me to Tell you all the rules, I know I'm searching too Give me all your clues and things to guide me through The end of the world, the end of the world
  • Mr. Hollywood
Produced by the one and only Kenneth Instrumentals, Mr. Hollywood is one of the more heartfelt and personal tracks on this album, Joji is singing about his evergrowing popularity and how it will never affect what is important for him, which in this case is the girl he's singing about, like many other tracks on this album, you will often hear something that will remind you of Joji's older work, in this case it is the ad-libs on the chorus, which are very reminiscent of his ad-libs on BESIDJU, regardless the song has at least a bit of substance which makes it one of the more commendable tracks.
The final run of this album is where Joji flips the script here, there are a few tracks that have questionable artistic decisions, such as Reanimator, with non other than Yves Tumor, the track serves as an instrumental interlude before the final two tracks, however with a feature such as Yves Tumor I honestly expected much more than what we got, and what we got is basically a 3 minute track, with the first minute and a half being nothing than a drone-y, synthy instrumental, and the second half being quite a lackluster performance by Joji and his guest, much like some of the other tracks on the album, it seems like it received a similar treatment, where the track was initially unfinished and still half-baked, and rather than attempting to finish the track they opted for an easy way out, which in this case was making more than half of the track an instrumental and then calling it an interlude just to be safe.
"that weeknd synthpop track sure is doing huge numbers, maybe i should also make a synthpop track as well"
  • Joji, probably.
I would be down to argue that if Blinding Lights by The Weeknd had not existed, 777 wouldn't have existed either, Joji's constant attempts at breaking into the mainstream and commercializing his sound have always left a bad taste in my mouth as it felt like it came from a place where authenticity is lacking, nevertheless I find it bizarre to make a track that is very similar to one of the most successful tracks of the year and not attempt to push it at all, that's not to say that 777 on it's own is not a good track, however there's no denying that the sound selection on the instrumental, some of the flows, and the chorus itself hold blaring similarities to The Weeknd's track, I understand why he would make such a track however and find it admirable at the very least.
Thankfully, the album ends on a strong note, the final two tracks are both beautiful even though they're worlds apart, Like You Do, is a quintessential love ballad from Joji, a stripped down instrumental with beautiful piano chords and a laid back vibe, Joji is singing about his current partner and how what they have might not work out, even though he feels like they're perfect for one another, the closing track, Your Man is a massive change in tempo, with an upbeat, electronic, deep house-esque instrumental, we hear a Joji that is optimistic, which is a nice change of pace, especially considering how bitter most of his albums and projects have been up to date.
Since I met you All the gloomy days just seem to shine a little more brightly Consider what we've got 'Cause I can never take you for granted
  • Like You Do
There's no denying that some tracks on here sound like a bastardized version of Joji's signature sound. Joji is trying his best to commercialize his sound without sacrificing the rawer elements of it, which unfortunately results in a jumble of sounds. This album is not free of criticisms as there are many issues in here that need to be worked on, it's much less cohesive than its predecessor and at times sounds like a bunch of rough ideas put together in order to create the world's most average musical equivalent of a photo collage, but if we were to just set all of that aside and just look at this album for what it is, then there's definitely something in here for everyone. George might have not made a classic, and he certainly hasn't found his sound yet, but this album is an indicator that he's on to something, and once again I am already anxious to hear what he has in store next.
Talking Points
  • What did you think of this album? Is it a good follow-up to BALLADS 1?
  • Do you think Joji works better alone or when he has a team behind him?
  • Do you think Joji will yet again set another high standard for himself next project?
  • What are your predictions for Joji's sound in the future?
  • Now that he's more keen on having features, who do you think would compliment Joji's sound the most?
  • Favorite tracks?
submitted by Blocked99 to hiphopheads [link] [comments]


Hey guys I was messing around with the god mode glitch written by someone earlier. It’s the one where you bookmark the job and use the penthouse phone to use the limousine service. Anyways one of the comments said that they were able to use the valet service to spawn inside the penthouse with weapons. Some people found a way out of the casino by starting a job from the map, and using a friend to invite them to a session and still have god mode.
I found an easier way to do this. When your in your casino with weapons, call your personal vehicle from the interaction menu, and spam Y (or whatever button you use to get out of cars on your platform)
You should start falling through the map and when you spawn back at the top you should be in god mode.
The trick is that you can’t use any vehicles, or else it will cut to the valet scene and you’ll no longer have god mode. BUT, you always spawn in the vehicle you enter while in god mode, not the valet vehicle you chose. I even tried this with the avenger, and I spawned with it right by the casino.
Maybe if you had access to a friends or someone’s car, you would be able to take their car inside of the penthouse garage and save it as your own. Not sure if the other person would still have the car or not.
I haven’t tried this with someone yet, and if I do i’ll update this, but if someone could try it and let us know that’d be awesome.
UPDATE: This subreddits definitely being watched by R*. Be careful what you post.
UPDATE 2: You are able to use someone else’s car with valet cut scene, however you cannot save the vehicle as your own. But this glitch DOES work as a workaround to the original god mode glitch.
If you’re having trouble getting the job to show up make sure it’s the right platform, and account.
Then make sure on interaction menu “hide” that all jobs are shown.
If it’s still not showing the job, you have to leave and enter the penthouse, sometimes several times.
submitted by calzonLover92 to gtaglitches [link] [comments]

God Mode Glitch

Youtube video:
  1. bookmark this job:
  2. Go to your casino penthouse
  3. Stand in the job circle but also close enough to the phone so you can use it
  4. Press right on d-pad and call in limousine service
  5. Now when your character stand completely straight again (around 5 seconds) press right on d-pad again
  6. You will fall through map, when you spawn you are in god mode
submitted by alex_pieters to gtaglitches [link] [comments]

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